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Dead Matter

Katharine Coles

Not fossil not decay unfurls / A shining ladder and makes / Rescue all. In movies / Lets loose, tears off


Poetry, Fiction, & Nonfiction   

Reliquary

Alyssa Proujansky

A cupboard is just asking to be opened. A cupboard doesn’t ask a question, but is, by its very nature, an entreaty. A cupboard says it did not ask to be a cupboard, did not ask to be an entreaty, is not, in fact, a cupboard at all.

Father and Son

Flavia Company, transl. by Kate Whittemore

The man was his father. How could he be so disgusted by him? His mother, long dead, always told him: your father will outlive us all, but not before he makes us suffer as much as he wants to, and more.

Bright Perfection

Nancy Au

The chicken crows at midnight. Crows at four o’clock in the morning. Crows when it rains. Crows when the sun sets. Crows when sirens blare down our street. Only stops crowing to eat.

Chicxulub Köçekçe / Pioneer Species

Kenan Ince

Like those jellyfish that swell with future oxygen, / I live into my gender, balloon constantly rising

From the Archives

Dead Matter

Katharine Coles

Not fossil not decay unfurls / A shining ladder and makes / Rescue all. In movies / Lets loose, tears off

2 Poems

Paúl Puma, transl. by Jonathan Simkins

You return, at last. / At the edge no longer./ At the margin’s curve no longer. / Circular no longer. / In the embers of unfading foam. / The sputum of inscrutable lava.

The Field of Rooms and Halls

Richard Siken

1 A man found a door and hung it on the wall. I think he thought in rectangles, each day's bright panel pushed one against the next, a calendar of light.…

Expats

Chris Murphy

Tahlequah, OK, has one Wal-Mart, one good regional supermarket, many of the major fast food chains, two operational video stores, and 16,000 residents.…

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…